When you’re doing a musical for a movie, you’re probably going to be looking for actors who can, you know, to sing. It’s a truism that seems to apply to “Dear Evan Hansen,” an adaptation of this Tony Award-winning Broadway musical, with a score by Benj Pasek and Justin Paul. It stars Ben Platt as the main character, a socially anxious teenager perpetuating a lie that has given him a welcome dose of popularity.
But when the filmmakers of “Dear Evan Hansen” made their roster, they didn’t necessarily start with a roster of Hollywood’s most famous singers. As its director, Stephen Chbosky, said in a recent interview, “I don’t really try to choose actors – I try to choose people. What I’m looking for is this almost invisible quality of them as human beings. I just encourage each actor to put their mark on the character and tell the truth a little more.
The result is a cast with a wide range of backgrounds and experiences with singing for an audience: some who have done it their entire lives and were thrilled to do it on camera; some who are terrified of it; and others who wish they had the chance to do it a little more often.
Here, five of the stars of “Dear Evan Hansen” share how they’ve come to love the sound of their own music.
Although moviegoers have seen Julianne Moore sing a few bars in “Magnolia” and a few rock songs in “What Maisie Knew” (and Renée Fleming’s opera voice in lip-sync in “Bel Canto”), she did not. sung impatiently from an audience since his high school production of “The Music Man”. So when she was approached to audition for the role of Evan’s mother, whose tender solo number, “So Big / So Small,” is arguably the highlight of the musical, she was understandably nervous. But working closely with the voice coaches and the music team was enough to land him the role and allay his anxiety – until it was time to film his big song. That day Moore said, “I thought I was going to swallow my own tongue, I really did. Because it was so terrifying. Even one of our cameramen, who was a really great guy, then said, “It was hard, huh? ‘”Perhaps the surest sign Moore had pulled off, however, was the feedback she received from her husband, director Bart Freundlich, after a first look at the film. As Moore recalls, “My husband came to the screening and my kids came too, as did my son’s girlfriend. So I had a group with me. And my husband said he was so relieved. He said, ‘The way you talked about that song, I was really ready for something terrible.’ “
Even devoted fans of Amy Adams probably missed the start of her professional rise in dinner theater musicals, like the Boulder’s Dinner Theater production of “A Chorus Line,” in which she played Kristine. “She was the girl who couldn’t sing,” Adams explained. “Which then made me nervous, because then I thought people thought I did not know how to sing. As she began to break through as a movie actress, Adams said there were few opportunities for musicals in theaters – and few such films were being made. Even for her role as Giselle in the Disney musical “Enchanted”, Adams said she was not initially wanted for her singing skills and had to audition more “so they let me sing it myself – they were ready to bring someone in and I was like, no, no, no, let me try. (She got ready by listening to Kristin Chenoweth’s Glinda songs over and over again from “Wicked”, before ‘learn that she would be working with that show’s original Elphaba, Idina Menzel, on “Enchanted.”) Although Adams said her role as a grieving mother on “Dear Evan Hansen” called for “limited singing “, she took care to prepare in the weeks leading up to the shoot.” I do enough karaoke to know the dangers of believing it with faith, “she said.” You know when you think that you can pull off a song and you’re like, wow, I really didn’t? I know better. “
Coming from a showbiz family (his father, Marc Platt, produced the same film) and performed since childhood, Ben Platt never, ever wavered in his faith in the power of song. Well, except maybe around that time in 2012 when he was starring in the rock musical “The Black Suits” and was stressed out by the rigorous regimen he had to follow to maintain his voice. “I had a little moment where I was like, ‘Well, I prefer to play without singing – it’s so much easier and less stressful,'” Platt said. “It lasted 30 seconds.” When he created Evan Hansen on Broadway, Platt jumped into the role – so much so that he didn’t allow himself to miss a performance during the first few months of its airing. Then he said, “I hemorrhaged and had a polyp on my vocal cords. I had to heal with a lot of silence and a whiteboard and the right cocktail of drugs. It was my body telling me, you can’t be superhuman. But on the film version, Platt said he found pleasure in being loud (when it was appropriate for his character) without having to duplicate that volume in one show after another. “Evan is a very sweet character and it takes a long time for him to come out of his shell,” he said. “But the rare times he raises his voice or screams, I’m less afraid of having to keep him to sing.”
Growing up, Kaitlyn Dever came through her musical tastes in the traditional way: being driven by her father. “He was playing Cure in the car and I hated it, to hate that when he played at Cure, ”she said. “Now this is my all time favorite band, because I didn’t really understand when I was 6, driving to go to a ballet class. Now I fully understand. She tapped into other family ties a few years later when she and her sister Mady formed their own band, Beulahbelle – as Dever explained, “We’re sisters anyway, might as well make a band” – and landed a few songs on the soundtrack to Jason Reitman’s comedy “Tully”. Dever learned of his audition for Zoe Murphy, the sweetheart, in “Dear Evan Hansen” while on her way to London. So, she said: “I ended up booking a studio so that I could sing it on my own somewhere and not in a hotel room where I would disturb the guests, blowing up ‘Requiem’ at 2 a.m. because I’m on a jet -lagged “- then came back to LA and landed the part.
Even before training as a child gladiator in “The Hunger Games”, Amandla Stenberg was a classically trained violinist: “I started with the Suzuki method, but was intimidated by the competitions I attended. “, remembers Stenberg. “There would be children crying in a corner and their fingers were bleeding. So I quit for a while. Fortunately, she found a new teacher who showed her how to improvise on the instrument and play in a variety of styles, and in high school she was part of a folk duo called Honeywater, although Stenberg now says of this project: . After placing some of her solo songs in the soundtracks of her films like ‘The Hate U Give’, Stenberg was approached to play Alana Beck, Evan’s high performing classmate – and to help write a short story. song, “The Anonymous Ones,” for the movie starring Pasek and Paul. “Which completely floored me, of course,” Stenberg said. “I was like, me? confuse me with someone else. ”The new issue was created during the Zoom sessions while Stenberg was in Copenhagen and his writing partners were in the US, which meant a lot of late nights. “I was pretty delusional at the end of them,” Stenberg said. “They felt like virtual sleepovers. “