On December 23, the Maggio Musicale Fiorentino will open a new production of âFidelioâ with a star cast. The production will feature some of the work’s best performers and a few new to its repertoire, none perhaps more than Italian soprano Francesca Aspromonte.
After years of singing baroque music, Aspromonte confronts Marzelline in Beethoven’s only opera. The role will mark her return to Maggio Musicale Fiorentino, where audiences last heard her in Handel’s “Rinaldo” in 2020. As the soprano herself noted in a recent interview with OperaWire, she wants to sing a more diverse repertoire such as Mozart and Bel Canto. works and Marzelline will offer the public the opportunity to see it in a different light.
Aspromonte’s career has taken her to Carnegie Hall, Teatro La Fenice, Champs Elysees Theater, Royal Opera of Versailles, Theater an der Wien, Wiener Konzerthaus and Teatro Real in Madrid, among others. .
Among the many works for which she has become well known are the title role in “Erismena” by Cavalli, Euridice in “L’Orfeo” by Luigi Rossi, the title role in “Dafne” by Caldara, Angelica in “Orlando furioso “by Vivaldi and the title role in” La Maddalena ai piedi di Cristo “by Caldara, among others.
She recently signed an exclusive contract with PENTATONE and teaches interpretation of the Italian Baroque repertoire at the Royal Conservatory in The Hague.
For those not in Florence for the next “Fidelio”, Aspromonte will tour Malta, France and Russia this season performing music by Vivaldi and Handel.
The soprano has recorded for Deutsche Grammophon, Sony DHM, Alpha Classics, Christophorus, Harmonia Mundi, Ricercare and HDB Sonus. Among his recordings are his solo albums “Prologue” and “Maria & MaddalenaâAnd a DVD ofâ Rinaldo âby Maggio Musical Fiorentino.
Here she plays “L’Incoronazione di Poppea”.
Here is a track from his first solo album “Prologue”.